"All I Need" from Isn't Anything by My Bloody Valentine
There was a drum machine beat just going like a heartbeat effect. I played an acoustic guitar to it and then it's basically an Alesis Midiverb II, it's the reverse reverb program. If I ever had a secret weapon it's the Alesis and the [Yamaha] SPX 90 and again, it's the reverse reverb program. We wanted an SPX. In the '80s in the small to midrange studios that was the kind of reverb. You wouldn't have the higher-up Yamaha things it was just like one unit. I got into it, oddly enough, reading a Bob Mould interview going, "I used reverse reverb before U2 and people like that" and I was thinking, "What is this reverse reverb?" It reverses the envelope — it creates a sort of simulated effect, you get kind of a rhythmic effect out of it if you have any transients, anything with attack, the attack comes back slightly but you wouldn't know it from listening to the record. We did was we took the whole track and put it on a tape and sped it up a few times so it's just the sound of some really high frequency thing, and that's just the track flying at four times the speed and there's not other guitars on it, no bass on it. If you can hear a tambourine then there's a tambourine. But, basically, it could've been done on an 8-track except for the fact that I just did four or five vocal tracks.
"Slow" from "You Made Me Realise" EP/single by MBV
That was the first time that I ever really, really used the tremolo arm the way I got known for using it and all it was was the guitar with the tone turned down, all the way off. So it just got no tone, this really dull sound, then holding the tremolo arm and playing the guitar quite soft like strumming really fast, like double time, and bending it into a kind of reverse reverb program. It would be guitar into the effect into the amp. Up until we did Loveless we only used Fender transistor amps. We didn't like valve amps then. I found valve amps a bit too unfocused. I liked the harder, more focused sounds of transistor amps, especially those little Fender Sidekick amps. That was the sound.
"I Believe" from "Feed Me With Your Kiss" EP/single by MBV
I think that time we used — it could've been an SPX 90 instead of the Midiverb II, but it's just the reverse reverb program.
