Interviews

Luther Russell: The making of Mirage Garage

BY Nathaniel Scott Cook PHOTOGRAPHS BY Jim Newberry

Was this record really recorded in a garage?

Yes, it was. I now dub it the Mirage Garage. It's my back house here in Pasadena [California]; a little shack out back where I have all of my instruments and a modest recording setup.

Did you guys rehearse these songs, or was it more spontaneous?

We kicked them down pretty fast. Liam was coming by and hanging out, and I was playing bass for him. We were working on some of his new songs while he was over one day. My setup is really easy to turn on and record quickly, so I said, "Let's walk back there and do it". Since his vocal and guitar were on one track, I still had two tracks open, so I'd play some bass and drums. It was all pretty spontaneous. There's a bit of bouncing going on.

What microphones did you use?

I had two mics. A [Shure] SM7 on his vocal and guitar, and a single old Marantz condenser mic on the drums. For a piano song, I'd take off the board and mic the piano down below with the Marantz.

What did you record and mix down onto?

We recorded it on an old Tascam 424 [4-track cassette recorder] and I mixed it into a really basic interface. The idea was that we weren't making a record, and I wasn't mixing a record. We were having fun and trying to capture what we're doing. What was good about the mix was that Liam was actually there. It wasn't really important how it was going down, as long as we were hearing it together.

MORE INTERVIEWS

Recording Nona Invie’s <i>Self-soothing</I>
INTERVIEWS · ISSUE #167 · Apr 2026

Recording Nona Invie’s Self-soothing

By John Baccigaluppi

On Friday mornings I go to the new releases page on Tidal and wade through the new music released each week. I'll check out records from artists I know, but what I really enjoy is finding new music from an artist I'm not familiar with that resonates with me. On the last day of...

M. Ward
INTERVIEWS · ISSUE #167 · Apr 2026

M. Ward Leaving the Door Open to Chaos

By Geoff Stanfield

Geoff Stanfield spoke with M. Ward for an episode of the Tape OpPodcast in August of 2023, around the time of his album supernatural thing was released. Here they dig into his love of collaborations, his analog approach to recording, and more.

Daniel Tashian
INTERVIEWS · ISSUE #166 · Apr 2026

Daniel Tashian Having Fun

By Larry Crane

In 2017, one of my best friends, Craig Alvin [Tape Op#137], kept texting me about a record he was engineering. He was saying how amazing the process was, and how awesome the results were. The album turned out to be Kacey Musgraves' Golden Hour, which went on to be a platinum...