If this issue is a little late, or maybe it looks like a bunch of other people got to write this time, here's the story. In a strange twist of fate I ended up putting together a studio with someone I had just interviewed (Elliott Smith, see issue #4). We started in mid January and by the end of the month had a lease on a building and equipment was being shipped in from all over the country. Besides combining our piles of recording gear, we got an old 2" 16 track machine, a used Mackie 32 x 8 board and a few more goodies. So what's happened? I've learned more about repairing old MCI tape decks than I would have ever imagined, we had to build a "soundproof" wall, window and door, days of painting, and we set up security, insurance and things I'd never even considered before.
Our first sessions have gone well. The drum sound in our "live" room is leaps beyond my basement setup. The sound of 2" 16 track tape is also a major revelation--you can hear so much more detail in the sound than I ever heard before. I'm loving having real monitors and actually hearing some low end too! We've got bands booked up for over a month in advance too, so I'm not completely worried that I quit my "other" job. It's definitely been a lot of work but the amount of stuff I've learned in the last few months has amazed me... so look forward to squeezing some of it out of me in the future.
Elliott and I put in some long, long days but I'd like to thank some folks who helped out quite a bit. Marila, Neil, John C., Todd, Sean, Eric, Scott S., Mike, Joanna, Scott M., Jed, Rick (my dad), Greg F., and others have all helped the place get off the ground. Special thanks must be mentioned to the studio's Godparents, John Moen and Rebecca Gates.